A little bit of book thievery on a weeknight

One of my favorite young adult novels is Markus Zusak's I Am the Messenger. I guess this is why it took me this long to read his later (and more popular) work, The Book Thief. I thought that for all the hype The Book Thief got, it couldn't live up to the brilliance of I Am the Messenger. So when the book club decided to read TBT and have an unofficial discussion about it, I thought to myself that it's about time I get this book over with. Besides, the movie's coming out soon, right? And The Book Thief is that kind of book that everyone seems to like.

(I say "unofficial" because The Book Thief isn't really part of the book club's official roster of books to be discussed this year. So basically it just served as an excuse for us to read a book, gather around to talk about it, and talk about it over good food. Oh, and usually, unofficial discussions happen during a weeknight. But looking back, with the kind of preparation that went with it, i.e., the bookmarks, the loot bags, the carefully thought-of discussion questions, and the number of members who attended, the discussion might as well have been an official one. This "unofficial" thing would probably need another post.)

Anyway, the novel is really difficult not to like. Zusak has a character, 11-year-old Liesel Meminger, who comes of age during the turbulent period in Germany during World War II. She has communist parents, and she was set up for adoption by this German couple, Hans and Rosa Hubermann. You just know that things won't turn up all daisies and sunshine for the characters. How can it? You're in Nazi Germany. And add the fact that the couple and Liesel hide a Jew in their basement. There are air raids often, too. We just know how indiscriminate bombs are as killing tools.

As I said, The Book Thief is a novel that's so easy to like. I can list a few points why this is so. First, Liesel is a bibliophile. Well, she isn't technically one at the start of the novel. She didn't even know how to read. But when she does, she develops a passion for the printed word. So much this passion is that she sometimes resorts to stealing books.

The novel also has a very strong anti-war message. Yes, we've all read how war has devastating effects on the parties involved in one. But Zusak manages to show us how war can affect families. And that, sometimes, people are forced to do things just to survive during wartime. We read about how difficult it is to find food, to get paid work, and to feel safe. We learn how one act of compassion can be interpreted as being a traitor to the nation's cause. We see how families are oftentimes separated and displaced. We see how it's all terrible, and we are made to feel uncomfortable. There's no hint of romanticizing any of these unfortunate scenarios in Zusak's novel.

The Book Thief is also about keeping promises. Hans owes his life to a Jew who somehow saved him during the first world war. And that Jew's son, Max, goes to the Hubermann household to escape the Nazi persecution. Hans never thinks twice about helping the boy, even though he's putting himself and his family at risk.

There's a bit of a romance going on between Liesel and a golden-haired boy named Rudy Steiner. The scene where Liesel, now 14 years old, finally realizes that she loves Rudy so much is just heartbreaking. I've always thought about an alternate scenario wherein Liesel agrees to be kissed by Rudy at the start of the novel. But that would not show the funny and heartwarming dynamic between Liesel and Rudy when they were just friends. In the end, the shy, bookish, and obedient girl falls for the rebel.

Oh, and the novel is narrated by Death, and what a glorious narrator he is. The novel presents Death as someone just doing his job. The war has kept him busy, and he's just your everyday omniscient being going about his business. He can be funny, amoral, and very objective with the things going on around him. But sometimes, Death appears to be someone capable of feeling and states that, sometimes, humans confuse him. He oftentimes spills the beans early in the chapters (who will die, what will happen in the end, etc.) but I didn't really mind these spoilery bits. For me, it was all about the story—how it will unravel in the book's 500+ pages.

I like The Book Thief. I probably didn't like it as much other people did. I'd still recommend it to young adults and adults alike. There's something in it for everyone. I guess what turned me off a bit was the idea that the novel was trying to be a very dramatic work, one that sets out from the start to elicit tears in the reader. The novel succeeds on this aspect though, but I feel that some of the scenes border on the overly melodramatic.

Read this book if:

1. You love YA historical fiction.
2. You're both fascinated and horrified by this terrible period in our history.
3. You know that there is indeed a being named Death.

Redeemed

Ah, the Printz medal. If a book has been awarded the Printz, even though it's just an honor book (shortlisted for the main award), then it's bound to have a few controversial themes. And A. S. King's Please Ignore Vera Dietz is anything but controversial. I know this is a cliche, but I think it's true and has to be said about King's wonderful young adult—this novel pushes the envelope.

Edgy, that's what Please Ignore Vera Dietz is. But it does have its flaws. Flaws which the reader might tolerate if only for the somewhat different storyline and narrative. So, who the heck is Vera Dietz and why the plea to ignore her? She's the novel's junior high school student protagonist. Vera is a character seeking redemption for her best friend, Charlie Kahn, who's recently died following a tragic incident involving the fire at the local pet shop.

Vera and Charlie have been best friends for so long, but something comes in the way in their friendship, specifically someone named Jenny who becomes Charlie's girlfriend. Vera is what we would call a, pardon the word, slut. She offers oral sex to Charlie who wisely refuses it. However, in an act of stupid revenge so typical of people her age, tells everyone at school that Charlie's father physically abuses her mother. Everything is blamed on Vera, as Charlie was made to believe. Charlie then tells everyone another secret involving Vera—that her mother was once a stripper.

Of course, everything spirals downhill from here. Vera's father a reformed alcoholic, is still hung up on the fact that his wife left them. Vera is probably headed toward the bleak path of alcoholism herself. Hey, if you were forced by your father to work your ass off (full time!) to save for college on top of maintaining an A average, then you'd probably drink yourself to death too. And it doesn't help that alcoholism does indeed run in Vera's family. But hats off to Vera! She decides one day to just simply stop and try to have a "normal" relationship with her father. Now I think that this is one of the novel's flaws. I was surprised that she could just stop. Just. Like. That.

If you're a junior high school student who's best friends with someone whom everyone thinks burned the town's beloved pet shop down and whose mother is actually a stripper, then you'd think that everyone should just ignore you. Something's nagging at Vera though—the thought that she should clear up Charlie's name concerning the fire. She owes it to herself, her dead best friend who she was in love with, and her best friend's family. In the end, she redeems Charlie's name, and when she does, she truly comes of age as she comes to terms with her father and her willingness to have control in her life.

A lot of readers may find it difficult to suspend their disbelief in some of the chapters of Please Ignore Vera Dietz. The chapters wherein we read Vera's thoughts are wonderfully candid. But those that feature the voice of the dead Charlie, the inanimate pagoda, and Vera's father require a bit of work. Sometimes, these chapters aren't believable enough. Plus, Vera's father shares flowcharts on how to deal with certain aspects of life, and these flowcharts feel iffy. They stick out of the novel like a sore thumb. If the point of these flowcharts is to show how methodical Vera's father is in making decisions, all right, they're fine then. Otherwise, they're just a waste of valuable page space.

I did enjoy Please Ignore Vera Dietz though. How ironic to have that title in the book, especially when the character of Vera Dietz, her aspirations, her insecurities, her addiction, her failed love life, and her angst are just so hard to ignore. They're quite compelling to read actually.

Read this book if:

1. You like controversial young adult books.
2. You have a best friend whom you were secretly in love with.
3. You know the importance of redemption.

Standing on the shoulders of angels

A few years ago, showing two boys kissing on the cover would have been unimaginable. Now, some people still think it's groundbreaking. I feel it's right, and that it's just about effing time.

Until yesterday, my favorite David Levithan was Boy Meets Boy, which I deemed so perfect. (How can DL top this, no?) But last night, on the same day I got a copy, I finished Two Boys Kissing, his latest novel. And, boy oh boy, is it so damn good! And this post is my total, all-out, I'm-not-worthy, completely-blown-off-through-the-roof rave about it.

While Two Boys Kissing shows, well, two boys kissing, it's not all about the kiss. DL uses it as a device to tell a fine story. And it's a story told by unseen voices of an older generation of gay men. These are the people who got sick of AIDS, who bore the brunt of unequal treatment, who were chastised for their colorful individuality, who were told that they should be ashamed of their "unnatural" desires. But because of them, we now know that it does get better.

There are quite a few story lines in Two Boys Kissing, all involving young teenaged gay men. There's Craig and Henry, who are officially no longer a couple but are determined to set the world's record for the longest kiss of more than 30 hours. Amidst them are Peter and Neil, who are a couple, and they seem to settle issues between them like fairly normal adults. Neil's heritage is Korean, and the way he asks his parents to acknowledge his sexuality is one of the high points of the novel. You gotta love a teenager who's so secure of his sexuality. And again, we have the older generation to thank for giving us that confidence. His medical condition does not define him.

We also learn to love Avery and Ryan, two boys who have just met at a gay prom and are starting their relationship. Pink-haired Avery was born with a medical condition—he was born in a girl's body. When he was very young, he received hormone shots. But the treatments, we are told, will continue, and yet somehow, DL makes it seem irrelevant. What's important, the novel seems to say, is that we are living and that we have the ability to love. Avery does love, and it's glorious to read his budding romance with Ryan. The fact that Avery has to have complete privacy when he goes to the toilet is just an inconvenience.

There's also our single gay guy, Cooper. He spends most of his free time immersed in hook-up sites and apps. If you're a gay guy, you'll all be too familiar with Grindr, yes? In the end, he realizes that hook-ups are shallow. They're all well and good to scratch that itch (oh, we're all too familiar with that), but they don't allow you to connect. Cooper is still lucky to have this way of meeting people like him; the older generation had it more difficult. They cruised, they assembled, they used landlines, they made eye contact. But they still found like-minded people. And that in itself is a celebration.

Let's face it, it took us several years to make people believe that we're just like everyone else. Slowly, one baby step at a time, we're getting equal rights. We're standing on the right side of history, and people are embracing us closer. Yes, there will always be people who hate, who condemn, who feel disgust, but we're no longer riled up as we used to be. Two Boys Kissing always reminds us of that. These were the men who were physically hurt solely for being gay. They were the people who were beaten and sometimes left to die because of their sexuality.

There are so many good and touching things in Two Boys Kissing. DL writes beautifully and every page emits a glorious lyricism. We cheer on Craig and Henry and hope that they do break that record. We then realize that it's not the record that will matter but the fact that two boys can actually kiss in public is a cause for celebration. We root for Avery and Ryan and hope that their romance blossoms. We revel in Peter and Neil's relationship and wish that all couples have their stability. We want to hold Cooper and tell him that it's going to be all right.

I could go on and on as to why you should read Two Boys Kissing. It has something for everyone—gay, straight, out and proud, closeted, the young, and the wise. It will make you feel sad in some parts, but you end up richer for the reading experience.

Read this book if:

1. You think that people should see more boys kissing.
2. You love LGBT fiction.
3. You want a reason to celebrate.

These YA thrillers rock

The Russians and I are taking a much-needed break. No more Russian doorstops in the next few days. Doctor Zhivago and War and Peace will have to wait.

For the meantime, I'm reading a lot of thrillers lately. They have always been my antidote to the cloying feeling I get whenever I do a series of "heavy" reading. Lately, I finished Gone Girl and The Devotion of Suspect X, which were awesome reads.

But the novels that really floored me were the young adult thrillers written by Barry Lyga. The first book, I Hunt Killers, was a wonderful surprise. Even though it was YA, it had plenty of grit and gore to satisfy even hardcore adult readers of the genre. The second novel, Game, which I just read in white heat this afternoon, is just as satisfying as the first. (I'll post more detailed reviews soon.)

I Hunt Killers ends in a cliffhanger; Game also sets up the third novel beautifully. I have no idea when the third book will come out. I. CANT. WAIT.

Despicable mother

Sometimes, the people who can hurt us the most are the ones that we truly love. Or, at least, the ones who should supposedly love us. In Nancy Werlin's National Book Award-nominated novel, The Rules of Survival, the one who does the hurting is the mother, who is probably the most abusive, most hateful, most unstable matriarch that I've encountered in books.

The Rules of Survival is not an easy read. It made me uncomfortable while I was reading it the whole time. It's a young adult novel narrated by Matthew, a teenager living with his coke head of a mother named Nikki. Matthew has 2 younger sisters—Callie and Emmy, ages 11 and 5, respectively.

Matthew and his siblings have a difficult time coping with the presence of their mother. Nikki has no qualms whatsoever in hitting Matthew repeatedly or of driving on the wrong side of the road in a car with all her children just to get a thrill. I can never imaging a mother like that can actually exist. Who would ever want to physically and emotionally hurt their own children?

One day, Matthew encounters a man named Murdoch in a convenience store. Matthew is transfixed as he sees Murdoch stand up to that much bigger man in the store and stop him from hurting his kid. From that day onwards, Matthew vows that he'll look for Murdoch.

But Murdoch talked directly to the kid. "It's wrong for anybody ever to hurt you. No matter who does it, it's wrong. Can you remember that?" 

The kid's eyes were now huge. He looked at his father again. Then back at Murdoch. Then he nodded. 

"You'll remember that?" Murdoch insisted. "You don't have to do anything else. You just have to remember." [page 6]

The siblings do track Murdoch down, with the hope that he'll be their savior, their superhero. But, in some strange twist of fate, Murdoch becomes their mother's boyfriend. For the next 3 months, with Murdoch around, everything was relatively fine in their household. Then he breaks up with Nikki and everything spirals toward hell.

Nikki becomes more abusive to Matthew, Callie, and Emmy, especially when she finds out that Murdock has endeared himself to her children. She even went on a date with another man just so that she can ask him to kill Murdoch. It's very surreal. Is Nikki even for real? In this f****d up world, I do believe that there are people who just make everything messy for everybody else.

But The Rules of Survival is Matthew's story, and it is he who steps up to the plate. All his life, he has protected his 2 younger sisters and he doubles his efforts now that Nikki is seemingly spiralling out of control. He asks the help of Murdoch, reconnects with his father, and becomes instrumental in making Nikki's sister, their Aunt Bobbie, finally muster up her fear and ultimately help her nephew and nieces.

In several levels, The Rules of Survival is a coming-of-age tale. Matthew realizes that things will never just work things out, as most people say to him, and that something concrete has to be done. He also accepts that he did think of killing his mother had Murdoch not intercepted him. And finally, Matthew becomes determined to survive. Because after all, it is the survivors who get to tell their story.

Read this book if:

1. You're a survivor yourself.
2. You don't cringe from some of the harsh realities of life.
3. You know that superheroes don't have to wear costumes.

2 brothers, 3 Italian cities, and 1 girl

So far, I've read 5 novels by David Levithan, and, thankfully, not 1 of them has been a disappointment. Even this non-LGBT novel, Are We There Yet?, is quite delightful. It's the perfect book to bring to the beach or while on vacation in an exotic country.

It feels that we've been here before though: 2 brothers with very different personalities are set up by their parents to go on vacation in a faraway European country. With this trip, the parents do hope that 23-year-old Danny and 16-year-old Elijah rekindle their sense of brotherhood and camaraderie.

My first thought upon reading the opening chapters was I wish that my parents would have the same idea. Minus the age gap, I think the dynamic between David and Elijah is more or less similar to my relationship with my brother. Those who have brothers completely understand when I say that it's a very weird dynamic, that between brothers. One minute you're literally grabbing each other's throats; the next, you're asking money from each other. Inexplicably, your brother is your best friend and your worst enemy at the same time.

Are We There Yet? isn't fluff. While Levithan does fall short in providing a strong sense of place for the cities that the brothers visit, he does focus on a historical Jewish ghetto in Venice. And that portion of the trip creates a significant impression on David and Elijah.

Of course, there has to be hints of romance, or at least the possibility of a romance. So enter a college girl named Julia who comes between David and Elijah. Both become smitten, but none of them don't get the girl. In fact, Julia is instrumental in making Elijah realize how much he misses the girl he left at his prep school.

Are We There Yet? is charming. It's one of David Levithan's novels that do not have a major gay or lesbian character, but it's still enjoyable nonetheless. For one, it makes you want to pack your bags and leave for Venice, or Florence, or Rome! I know I want to. And the masochist in me wants to bring my brother along.

Read this book if:

1. You love Italy.
2. You know the pros and cons of traveling with a family member.
3. Because David Levithan.

I kissed a goose girl and I liked it

When I bought Shannon Hale's The Goose Girl, a very dear friend remarked, quite amusedly, "Oh, what's that?" Perhaps he was taken aback by the somewhat cheesy cover. Or maybe the weird title set him off. I couldn't blame him though—the cover is quite fluffy and the title, well, it's just one of those less familiar fairy tales by the Grimm brothers.

So yes, Hale's The Goose Girl is a retelling of a fairy tale. (You can read the original version here.) But it's a retelling that kept me entertained during a holiday. The young adult novel is Hale's debut, and it has become so widely read that 3 more books followed it, making up "The Books of Bayern" series.

Our goose girl is Crown Princess Ani of the kingdom of Kildenree, who gets betrothed against her will to a prince of the neighboring kingdom of Bayern. We can say that Ani was probably a fish out of water in her native land, where people see her ability of speaking to animals as a very unnatural gift. It doesn't help that her mother, the queen, sees her as being unfit to rule, forcing to queen to promise the crown to the second-born prince.

So Ani is whisked away to that unfamiliar kingdom with her small band of royal guards and Selia, her lady-in-waiting, who has other plans of her own once they reach Bayern. Selia manages to raise a mutiny while in transit and assumes the identity of Princess Ani, who escapes and finds herself in the employ of the palace—as the girl who tend to the king's 50 geese. And as goose girl, she befriends the other people under the king's employ, people who, despite being Bayern natives, still feel alienated. In Bayern, there appears to be a rough stratification of its citizens, with people who come from the outside forests being treated as second class.

At heart, The Goose Girl is a coming-of-age story. At the beginning of the novel, Ani seems to just go with whatever people decide for her. She doesn't even see the value of being the crown princess. But she comes to a beautiful bloom as the goose girl: appreciating the value of hard work, realizing the importance of forming true friendships, coming to terms of who she really is, and even falling in love with an elusive character. One can't help but love Ani, and one does wish that she makes everything right.

The Goose Girl, being a fairy tale, has a happy ending. But this conclusion doesn't feel contrived at all, which is so unlike the denouements in fairy tales wherein everything becomes conveniently right. Ani uses her gift in a pivotal fight sequence. In a way, she "works" to make things right. And the reader might feel giddy to discover the true identity of our elusive boy.

It's not all fluff though. Hale gives us a few bloody fight scenes. And Selia's way of talking to Ani can come off as very bitchy. (A modern retelling indeed!) But let's face it, we read these stories because we want to feel good. Because fairy tales, no matter how fantastical they may seem, make us want to believe that the betrayed princess gets her crown, traitorous people get punished and sometimes killed, true friends are rewarded, and people live happily ever after.

Read this book if:

1. You love modern retellings of fairy tales.
2. You always felt that you can speak to animals.
3. You're dissatisfied with the usual fairy-tale endings.

Choose kindness

If there's one message that R. J. Palacio's novel, Wonder, conveyed to me, it's the idea that one should kindness. I do believe that it's kindness that's lacking in our world today. If we all choose to be kind, instead of choosing to be right, then everything might just be a little bit better, yes?

I'm getting a feeling that the writer might be referring to the act of kindness being extended to a person who haven't been a frequent recipient of it. In her debut novel, that person is one kid named August Pullman. Now why should people choose to be kind to him,  you might wonder. Well, Auggie, has been born with several defects, causing his face to have several deformities.

It's hard to picture what Auggie looks like. In the novel, he always says that he looks much worse that you could imagine. He mentions that his eyes droop to the level of his cheeks, that he has a perennial scowl, that his ears look like clenched fists, that his hip bone was grafted to his face so that he could at least have the semblance of a jaw. Are you picturing it already, dear reader?

But Auggie is one tough kid. Despite having been home schooled until the 4th grade, he goes along with his parents' decision to enter 5th grade in a prep school. I begin to recall what 5th grade was like for me. And I can't help but think that Auggie might have made the wrong decision. Grade schoolers can be pretty mean with the things they say. And it's around that time that they form cliques. I have my doubts as to the survival of Auggie.

And yet, Auggie develops real friendships in his school, with a group of people who choose to be kind to him. It is kindness that motivates Jack Will, a popular kid, and Summer, a budding writer, to befriend Auggie. It is not necessarily kindness though that made them stay friends with him, for they discover that Auggie is funny, smart, sensitive, and very friendly. Indeed, kindness paved the way.

I particularly liked the character of Jack Will. Like everyone else, he feels uncomfortable meeting Auggie for the first time. But pretty soon, Jack Will becomes Auggie most ardent protector. Yes, these two had some rough patches, especially when Auggie overhears Jack Will saying something to other students that he's rather die than be friends with Auggie. But all these things are just your typical situations in grade school, I think. And the way that these two become friends again, by a thread of email exchanges, is quite amusing.

Wonder is the kind of novel that you go through in one sitting. It's very episodic, with the book being divided into chapters written in the perspective of the different characters. Wonder is wonderful. It brings back fond memories in grade school when friends were someone you share lunch tables with and your teachers are people you really look up to as your second parents. Grade school was such a magical and wonderful time for me.

I loved Auggie, Summer, Charlotte, and even the school bullies who eventually make amends with Auggie. I loved Auggie's sister, Via, who overcomes her insecurities and realizes her place in the family. I loved Via's friend, Miranda, who treated Auggie as her brother. I loved Via's boyfriend, Justin, who is an adorable dork. Most of all, I loved Jack Will, who stuck with Auggie and made the good decision to be kind to him.

Read this book if:

1. You had a wonderful time in grade school.
2. You think that the friends you made in grade school are the best people in the world.
3. You choose to be kind.

Still on a Levithan roll

My Levithan stash

A couple of weeks ago, I posted on Facebook how much I'm enjoying Levithan's novels and a few reasons for my being a devoted fan boy. And again, I have him to thank because I'm reading again! Woot! Good-bye, reading rut! Good-bye, endless switching between books! Good-bye, mindless downloading of TV episodes just to kill time!

So far, I've read 3: Boy Meets Boy, Nick and Norah's Infinite Playlist, and Naomi and Ely's No Kiss List. I haven't been disappointed yet. I'm keeping my fingers crossed that I won't be.

How can you not love an author who writes the most beautiful lines, who isn't into stereotypes and labels, and who comes up with the most engaging stories? Also, reading Levithan made me feel like a teenager again.

Of best friends, ex-boyfriends, and a very troublesome list

I'm currently in a David Levithan phase, which was happily triggered by the wonderful Boy Meets Boy. That's why I've been busy visiting bookstores for the past weeks, scouring the shelves for Levithan's young adult novels. And I'm thankful that Levithan has brought me out of that reading rut. So glad that that unfortunate phase is over, well at least for now.

My 2nd Levithan read is a collaboration with Rachel Cohn: Naomi and Ely's No Kiss List. The book is very cosmopolitan, with it being set in New York, having 2 fashionable and very open-minded teenagers as protagonists, and touching on the concept of friendship in the context of one's romantic relationships.

We all have that one person who always has our back. For Naomi, it has always been Ely. These two have always been inseparable, and I can't help but think that it's by default. They grew up in the same NYC apartment, went to the same high school and are now in NYU, and have come up with a list containing the names of boys that are officially off limits to any of them. I completely understand the concept of the list. One cannot date someone that your bff doesn't approve of, yes? For these two, their friendship is priority. Of course, Naomi isn't just your typical fag hag; she's in love with Ely, who unfortunately for her is also into boys.

Things get complicated when Ely kisses Bruce the Second, Naomi's boyfriend. While Bruce the Second isn't on the No Kiss List, it's just a given that current boyfriends are off limits. But is Bruce the Second gay? Levithan doesn't clearly say so. I'm getting the impression that Levithan is shying away from labels, which can really get very tricky and restrictive. When Bruce the Second's mom asks him if he's gay, he responds with, "I'm just not straight." Okay, I can totally work with that.

What I'm not okay is that there are quite a few unnecessary characters in the novel. They just come and go; they just muddle up the story. There's Bruce the First, Robin (a girl) and Robin (a boy), Gabriel the doorman, their fellow NYU undergraduates. It can be quite frustrating, especially when Levithan didn't give clear voices to the minor characters.

The resulting conflict between Naomi and Ely leads to a healthy realization. Both of them have always been associated with each other that their separation, albeit temporarily, makes them realize their individuality. Naomi comes to grips with the fact that it's futile holding out for Ely. And Ely is finally comfortable with having a "serious" relationship with someone that he might really be in love with.

Naomi and Ely's No Kiss List is a quirky but beautiful novel about friendship. And love too. We love our friends. It might not be the same way we love our partners, but this love is as important to us nonetheless.

Read this book if:

1. You've had a bff all your life.
2. You value the opinions of your close friends when it comes to the persons you date.
3. You hate labels.

I fell in love with this book

It's been a while since I gushed over a book, and it feels great to be doing it now. Yes, I am seriously fawning over David Levithan's debut novel Boy Meets Boy, a novel published 10 years ago. As I closed the book last Friday night, I was swept away by the beauty of Levithan's story and his writing. I've now included it in my very short list of all-time favorite books.

The world that Levithan creates in this novel represents an ideal. If you're jaded, you'd think this would be speculative fiction. It's a world where teenagers, gay or straight, can date anyone they want to, without fear of being ostracized. It's a school where the star quarterback is also the homecoming queen. Parents, well at least the main character's parents anyway, do not think too much about their children's sexuality but shower them with all the love that they can give.

I found it very easy to relate to all the characters Levithan wrote about in Boy Meets Boy. Paul, the 1st 'boy' in the title, is so unlike in your typical teenager. He has no tinge of insecurity and knows what he wants. However, like your typical teenager, he becomes awkward when he meets 'Noah', a senior who just transferred to his school. Right from the start, I just knew that Paul should end up with Noah. If they didn't, I would just die. There's no hope for the world.

But hope isn't a concept that's wanting in Boy Meets Boy. Paul hopes that he ends up with Noah. He hopes to patch things up with Joni, one of his best friends, who's dating a schmuck. He hopes that he wouldn't bump into his ex, Kyle, who keeps popping up in all the wrong moments. In the latter part of the novel, Kyle makes amends with Paul and hopes that things turn out better for them as friends. And Paul hopes that the parents of his other best friend, Tony, would step down from their religious pedestal and see that there's nothing wrong with being gay.

If I knew that Boy Meets Boy would have memorable lines, I would have kept a highlighter with me while I was reading it. I just fell in love with the beautiful prose that Levithan wrote. Here are some of my favorites:

I find my greatest strength in wanting to be strong. I find my greatest bravery in deciding to be brave. I don't know if I've ever realized it before. . . I think we both realize it now. If there's no feeling of fear, then there's no need for courage. 

With some break-ups, all you can think about afterwards is how badly it ended and how much the other person hurt you. With others, you become sentimental for the good times and lose track of what went wrong.

Now, I don't believe in doing hugs halfway. I can't stand people who try to hug without touching. A hug should be a full embrace - as I wrap my arms around Tony, I am not just holding him, but also trying to lift off his troubles for a moment so that the only thing he can feel is my presence, my support.

Part of love is letting a person be who they want to be.

My only gripe is that the novel is too short! It's that kind of book that you just want to go on forever. You feel that you just need to know everything that happens to these quirky characters. You wish that there were a sequel. And it's the kind of novel that makes you want to write fan mail to the author and urges you to hunt for his other books. I love Boy Meets Boy, and I hope more people would love it too.

Read this book if:

1. You know that it's only a matter of time before we get to that ideal world.
2. You like boys meeting boys, or girls meeting girls.
3. You love LGBT fiction.

We wish to inform you that your baby has now been replaced

During the weekend, I finished Brenna Yovanoff's young adult novel The Replacement and found myself being conflicted with my feelings toward it. It does have all the elements that I usually am partial too—the creepy atmosphere, the supernatural characters based on folklore, the subtle horror, and the romance not bordering on bubblegum. And yet, I'm not too sure if I really liked it.

The Replacement touches on a myth that seems to be common across different cultures: supernatural creatures living below the ground steal babies and replace them with one of their own. In Yovanoff's novel, this unfortunate incident seems to happen in the town of Gentry regularly. It's a situation that the town folk don't talk about openly; a few of them view it as a sacrifice to these mythical creatures. These babies are offered as a way of thanks for giving Gentry a few more years of prosperity.

Normally though, the replaced babies—these changelings—don't live long. But Mackie Doyle is an exception. He's now 16 but is apparently slowly dying. He gets long-lasting dizzy spells brought about by being near to objects made of iron; he passes out easily. The human world isn't an environment where he can thrive. He's living in it on borrowed time. But he finds out that he is drawn to the underworld where he originally came from, and it's a world that can offer him the chance to live. However, choosing the underworld means leaving his family behind and also the girl whom he has fallen in love with, Tate.

I was expecting that the romance angle of The Replacement would be a major element. Thankfully, it's not. More than anything, it is the concept of the family that Yovanoff chooses to highlight. We find out that the changelings don't survive long because the family knows that their babies have been replaced, and that this knowledge is what keeps preventing them from loving the changelings. In Mackie's case, it is not the love of his "parents" that made the difference, but the enduring, unselfish love of his older sister. His sister chooses to look beyond the fact that Mackie is no longer her original brother; she acknowledges that Mackie will be the only brother that she'll have.

I like Yovanoff's writing style. The slow burn, the musings of the characters, and the exploration of the importance of family and friends are pretty much enjoyable to read. But something is holding me back from loving The Replacement. I can't quite put my finger on it yet. Maybe I would have liked more exposition on the supernatural aspect of the novel. As it is, the mythical creatures don't even have labels of what they really are. The underworld, with its wonderfully ugly inhabitants, had a huge potential for development. Unfortunately, I was left wanting.

Still, I think I would read more of Yovanoff's works, as her writing is very beautiful and very fluid. She has 2 more novels that I've seen recently: The Space between Us and Paper Valentine. I've Googled the stories of these novels, and I think they're right up my alley.

Read this book if:

1. You're fascinated with the idea of changelings.
2. You understand the concept of " being beautifully ugly."
3. You love creepy reads.

Heartbreaking and beautiful

John Corey Whaley's debut work, Where Things Come Back, is one of those young adult novels with big messages about second chances, family, and interconnected lives. But unlike your usual YA novel, Where Things Come Back works because it isn't sappy and cloying at all.

I'm reminded of Melinda Marchetta's Jellicoe Road, which has a dual narrative. In Whaley's novel, well at least at the start, we read alternating chapters featuring a 17-year-old named Cullen Whitter who lives in a town in Arkansas and a young missionary in Africa who's looking for meaning in his life. Two lives set continents apart. And this is one of the reasons that makes this novel suspenseful: how on earth could the author establish the connection between these two completely disconnected story lines.

I think most readers would be able to identify with Cullen. He's your typical introverted American teenager living in a very small and dull town. Cullen's life soon becomes non-typical, with the disappearance of her gifted younger brother and the appearance of the Lazarus Woodpecker (long believed to be extinct) in their town. In Where Things Come Back, it is the woodpecker which somehow symbolizes the hope that things and people can come back. It's a pipe dream though, as the woodpecker is never actually seen and Cullen's brother won't be coming back ever. (Of course, I don't want to spoil the reason for his brother's disappearance.)

But everything ties up so neatly that I was surprised at how logical all the connections were. You know the gripe some people have with George R. R. Martin's A Song of Ice and Fire, wherein he kills off his major characters just when you've started rooting for them? Well, Whaley pulls something like that in his debut novel. Characters take several steps back for other characters to play out their roles. The young missionary dies midway into the novel, paving the way for his college roommate to bring the novel into a climax.

A lot has been said about this debut novel. Where Things Come Back did win the 2012 Michael L. Printz and the William C. Morris Debut awards. Totally deserving, if I may say so. And if you're looking for a heartbreaking and beautiful read, this novel might just be it.

Read this book if:

1. You like debut YA fiction.
2. You've lived in a small and idyllic town yourself.
3. You know that everyone deserves second chances.

A surprise favorite read this year

Teen paranormal romance. Them 3 words that usually scare me. Okay, just for the sake of transparency, yes, I've read all 4 Twilight books. It was an experience all right. Uneven at best. I liked the first book and found the last book quite enjoyable. Now, for books 2 and 3, excuse me while I barf.

To compare Meyer's novels with Laini Taylor's Daughter of Smoke & Bone would be futile, even though they belong to the same genre. It might even seem unfair on Taylor to have her books next to Twilight in bookstores. If you read Daughter of Smoke & Bone, then you'd have this compulsion to gather all these books and place them prominently on the bookstore. I was this close to just hanging out in the teen section in bookstores and keeping an eye out on everyone buying Twilight. Then I'd shout, "Drop that silly little book, you commercially brainwashed teen!" Then I'd place DoSaB on her hands instead. I know she'll thank me for it.

Here I am gushing about a book when I haven't even told you what it's all about. Well, it's about angels and demons, or more specifically, angel- and demon-like characters. Taylor, however, goes beyond the mythology. In DoSaB, the angels aren't really the good guys, nor are the demons the evil ones. In fact, you can hardly tell who has the moral high ground in their war. It's a good thing that Taylor came up with less conventional names for these 2 groups: seraphim for the fiery-winged and celestial beings, and the chimaera for the characters whose body parts are an odd mix of animal and human body parts.

Enter Karou, a human (supposedly), who is in the service of the chimaera by providing them with human and animal teeth. Such an odd task for someone so frail looking. Then she meets Karou, a seraph of unimaginable beauty with a reputation for being a ruthless soldier. Of course, they fall in love. Of course, it's not possible, in theory. Karou is revealed to be a chimaera herself. Of course, everything gets complicated. Karou is the resurrected form of Madrigal, a chimaera who was executed after being discovered to be having a relationship with Karou.

Oy, dear reader, it's wonderful to get lost in Taylor's beautiful and brutal universe. The slow reveal of the true nature and history of the two lead characters is a delight. Their inexplicable attraction toward each other has none of the cloying taste of novels in this genre. What we have are 2 immensely relatable characters who are aware of the consequences of their actions.

Taylor's sense of place is also admirable. Prague's gloomy and Gothic atmosphere sets the right tone at the beginning of the novel, where the reader is immediately plunged into the mystifying world of the chimaera. Eretz, the home of the chimaera, is portrayed as a place of strange and harsh beauty, a vast landscape where you see chimaera in every configuration.

Why did it take too long for me to write my thoughts about this book? Well, blame it on my age. I thought that I've already made a post about it and only bothered to check because I'm reading the 2nd book. It's turning out to be just as good as the 1st. In fact, it might even be better!

Read this book if:

1. You're willing to give teen paranormal romance a try.
2. You've always been fascinated by angels and their fallen counterparts.
3. You love "Romeo and Juliet."