Spare

I'm having palpitations. My BP is now probably through the roof. And I would've bitten my fingernails to the quick, if I actually had fingernails. (TMI: When I cut my fingernails, I cut them so short that my fingers often bleed. Bloody true story.) I've been holding off on watching the Game of Thrones TV series, as I really, really love the books. Because, as we all know:

100% true: TV episodes/movies ≠ books
75% true: TV episodes/movies < books

But I gave in last week, and I saw all 30 episodes of seasons 1 to 3 of Game of Thrones in a span of 5 days. And, for the life of me, I've never seen so many boobs and vaginas, slashed throats, incestuous and orgiastic coupling (man-woman, man-man, woman-woman), penis cutting, beheadings, horse riding, sword fighting, and what-not in those 5 days. I loved it! I was in hog heaven.

All right, now I've resolved to go back to the books. I read the first novel of A Song of Ice and Fire, A Game of Thrones, back in 2003, if I remember correctly. Then the second one, A Clash of Kings, back in 2006. I started the third book, A Storm of Swords, in 2009. I believe I reached halfway through it, and then decided to just drop it. With George R. R. Martin's pace in writing the series, I think I have all the time in the world. Unless, GRRM dies before he completes it. In which case, it doesn't really matter, because that would be the end of the world for me anyway.

Now I'm back at page 1 of A Storm of Swords, this proverbial book with the notorious Red Wedding scene. So, sorting through my shelves and finding out that I have 2 copies—a paperback and a hardback! Woot! The hardback is a pain to lug around. I'd much rather have 2 pounds of food in my bag (that's 8 quarter-pound burgers!). Thank goodness for the paperback, right? Although, the paperback is still a brick in itself, but I know I can't be choosy if I want to get my fix. Besides, I need to reconnect to my literary family—the Lannisters. We don't mix with sheep.

Restraint

I've been going to the Manila International Book Fair since 1994. Ayayay! Almost 20 years! Is my age showing? Anyway, it feels like yesterday since my first MIBF. I've seen it "grow" through the years, and I've mostly viewed the event as an opportunity to exercise my powers of restraint.

It's always a challenge not to indiscriminately buy all the books on display at the event though. There's always the temptation to empty one's wallet. Who cares about food, or clothes, or bus fares when you can get that beautiful hardback you've had your eyes on, yes?

This year, I bought just 2 books! Woot woot! Well, I did also buy a few knick knacks though, as I couldn't resist their witty designs. Photos of my purchases below; click on them to enlarge.

Well, technically, I bought just 1 of these 2 books, and that's the Tigana.
R. gave me the Vonnegut, something to add to my collection.
Tigana is a bit hard to come by, so buying it was a no-brainer.

I just had to get these cards from Tahanan Books.
They cost just Php 19.00 each! Roughly $ 0.40.
The front quotes are just too funny. Misheard, misused, and misunderstood!

These notepads, also from Tahanan Books, have Filipino gay lingo expressions on them.
They're appropriate called Chorva Pads!
Campy and cute!

And the only other book that I purchased.
It cost just Php 500 ( ~$11)! Down from the original price of Php 2,500!
I've always wanted a Larousse.
I don't think I would ever want to remove the shrink wrap.

I can't wait for MIBF 2014! It always feels like Christmas if you're a bibliophile.

Unbearable

In a bibliophile's life, there are always books that people would rave about which you would wonder why. And one of those books for me is Milan Kundera's The Unbearable Lightness of Being. It's a book heavy on philosophical themes, a historic period in the then Czechoslovakia, the impact of repressive political regimes on art, and the significance of sex in its 4 major characters. I found it hard to digest. And believe me, I digested a lot of things in my life, edible or otherwise.

TULoB has been a book I've always wanted to read, and luckily for me, it was chosen as the book of the month by the book club for August. So, up it went to the top of my humongous, robust, virile, eye-popping to-be-read pile. (Now if I can only say that to certain parts of my anatomy, no? Life would be awesome. But alas...) I read it in a span of a week, and what a week it was. I felt I was high on drugs the whole time, but not in a good way. In fact, it was almost akin to having taken a date rape drug. You had no idea you already took it, but you know that all's not well and sooner or later you're gonna get fucked.

The novel opens with a study in contrast of lightness and weight. Lightness apparently has something to do with living for the moment and not putting too much importance on things. Apparently it's based on a philosophical idea of Paremenides. (And it was at this point that my eyes glazed over.) Weight, on the other hand, stems from the idea of Nietzsche, which has something to do with eternal return, which Kundera doesn't really believe in, which has something to do with people putting way too much weight on sex, their political ideologies, their husbands and wives and mistresses, which has something to do with me believing that it's all just crappy nonsense. The last time I've heard of something like the eternal return, I was probably watching an episode of Dr. Who.

The concept of lightness and being does lead us to Kundera's 4 main characters, two of which are "light" and 2 "heavy." The heavy characters are Teresa and Franz, characters so heavy that they'd probably sink into the ocean if I threw them overboard a ship. Teresa, the photographer, who marries one of the light characters, Tomas, the doctor and philanderer who ends up cleaning windows by the novel's end. Teresa is someone that I hoped to understand but I couldn't. All this coming and going from one country to another. All the issues she feels with marrying a man who cheats. Lady, you knew from the start what you're getting into when you married that perennially horny Tomas. He'd fuck a tree if you draped a dress over it. Get over it.

I did like one of the light characters though—Sabina. She's an artist coping with the insane standards of the country's socialist regime. Sabina is one who knows how to survive; she literally packs up all her bags and moves to the US when she can no longer stand the artistic ideals of her country. During that time, all art forms should be realistic and any other forms which are otherwise are deemed unpatriotic. Sabina is the only character in the novel who has an epiphany. When a drop of red paint unintentionally falls on a painting she's working on, she stumbles on the wonderful concept of accidental beauty. Yes, like Sabina, I believe that art should be organic and truly express the artist's feelings.

While I didn't like The Unbearable Lightness of Being, I did enjoy the discussion nonetheless. A lot of members consider Kundera's most famous novel as their favorite, and it was interesting to note their opinions and thoughts. I thought, on the other hand, that the novel was just too much work. It's the kind of novel that you deconstruct to fully appreciate and understand. It did make me curious about the Prague Spring and how it affected the lives of artists during the Soviet occupation of this eastern European country. But other than that, I found The Unbearable Lightness of Being, well, simply unbearable in its entirety. Too preachy, the language too flowery, the milieu too European, the characters lacking conflict that I could relate with. It's the kind of book that I'd give to frenemies.

Anyway, here are some pics that R. (best photographer ever) took during the discussion. You can click on them to enlarge.

I have no recollection of what I'm telling here.
Yes, that happens when I talk about books I have no strong feelings on.

Gege, the moderator for this month, gave each member a bowler hat.
The bowler hat figures prominently in the story.
It somehow symbolizes erotic playfulness. Whatever.

And each one of us received this loot.
It had a notebook and a bookmark.
Because one cannot have too many bookmarks.

R. made gorgeous illustrations of the members who attended.
Here's mine.
Yes, I was wearing hot pink shorts that time.

Read this book if:

1. You're a sucker for Kundera.
2. You want to know whether you're a light or a heavy person.
3. You fall for flowery language.

Here come the Vonneguts

The colors remind me of candy
And that's a good enough motivation for me.

This September, the book club is set to discuss Kurt Vonnegut's The Sirens of Titan. If you're in Manila and you have nothing else to do on the afternoon of the 28th, do join us. Check out the event details here. It's an open event, so everyone's welcome.

Anyway, I've yet to read a Vonnegut. (I know, it took me this long! For shame! Oh, the humanity!) And I've decided to read not just The Sirens of Titan, but also Slaughterhouse-Five, Breakfast of Champions, and Jailbird. Because I feel I should make up for lost time.

It's always good to tick off an author from one's reading bucket list, yes? Although, I still can't figure out when I'll ever finish an Austen, a Tolkien, a Dickens, and a Proust. I did commit to reading the first book of Remembrance of Things Past this year, and I'm plowing through the book at a snail's pace.

So yes, I'm excited for this month. And I'm enjoying The Sirens of Titan so far. It's quite funny actually. Hopefully, I'll like it all the way through.

When a book has won so many awards, it comes with expectations

Ah, literary awards. Such a double-edged sword in the life of a reader. If a novel, say, like Jo Walton's Among Others, has won both the Hugo and the Nebula awards, you know that it can go both ways. One is that you'll be happy that the novel lived up to your expectations, and another is finishing the book and thinking that you missed something. You just didn't appreciate it that much. Unfortunately, the latter is what I felt when I finished Among Others.

All right, I don't think that Among Others isn't good. I just felt that it wasn't good enough; I was hoping for a wow factor. I was waiting for that glorious moment when I'd be blown away by all the fantasy elements melding together. I was hoping for magic. What I do get though is a beautiful coming-of-age story of a 15-year-old girl who sees fairies and who may or may not possess the ability to do magic.

At the start of the novel, there's poor Morwenna Phelps, the main character of Among Others. She's forced to live with her father who she hasn't seen for the longest time. Apparently, Mori's mother, a seemingly crazy woman who has her hands deep in black magic, is out to seek Mori. Why? Because Mori thwarted her mother's evil plans of becoming a powerful being. The cost of this was high for Mori though, for it involved a car accident that killed her twin sister and left her somewhat crippled.

So Mori is then whisked from her Welsh origins to live with his father, Daniel, and his 3 sisters in the English countryside. Daniel has other plans for her though, as he enrolls Mori in an exclusive boarding school, where, naturally, Mori, is treated as an outcast. Mori then discovers one thing that allows father and discover to bond—their shared love for fantasy and SF books. It becomes clear in Among Others that this love for this particular kind of genre is significant. Mori is one SF and fantasy geek, having a deep love for Tolkien, Silverberg, Vonnegut, Lackey, Asimov, and other fantasy and SF greats. Her father introduces her to Herbert and Dune. The way Daniel lets this love for books grow in Mori is endearing.

Things pick up even more for Mori when she discovers a book club and is asked to join this like-minded group of individuals who have a deep passion for fantasy and SF. It is in the book club where Mori falls in love, where Mori finds the courage to speak out (and to speak out a lot), and basically just grow into her confident self.

But let's not forget Mori's mother, the dark witch. She's probably the only fantastical character in the novel, except for the fairies that Mori sees, which somehow don't figure prominently in the story. The novel's end has Mori confronting her mother in a somewhat anticlimatic manner, in my own opinion. Still, it's a happy ending, and one that makes clear that Among Others is, at its heart, a coming-of-age tale.

Again, there isn't any clear cut use of magic in Jo Walton's multi-awarded  novel. The opening sequence had my hopes up, but in the end, the reader is simply made to speculate whether it was magic that Mori wielded or not. It makes you think, which is definitely not a bad thing. If you're looking for something heavy on the fantasy though, then you're better off reading something else.

Read this book if:

1. You like your fantasy subtle.
2. You love unusual coming-of-age tales.
3. You'll read anything that has won the Hugo and the Nebula.

Lock me up in a room with these graphic novels and throw away the key

Glorious, glorious weekend. I spent a part of it reading Joe Hill and Gabriel Rodriguez's wonderfully dark series of graphic novels that begin with Locke & Key 1: Welcome to Lovecraft. If the rest of the series is half as good as this first installment, then I'm a happy camper.

Now, Joe Hill. 20th Century Ghosts, Horns, and Heart-Shaped Box are books right up my alley. Creepy, gory, frightful fun. I guess being a son of Stephen King does have its perks, no? I can just imagine the family dinner conversations. (My horror is better than your horror. Hehehe.)

The first Locke & Key isn't an all-out horror graphic novel though. It starts with a murder. Sam Lesser, an unstable teenager, murders his guidance counselor, leaving Tyler, Kinsey, and Bode without a father. The three siblings and their mother then move to their Uncle Duncan's house (named Keyhouse) in a town called Lovecraft. Sam is locked up not in a jail but in a juvenile detention center because of his age.

Keyhouse is one weird house, I tell you. Lots of locked doors and rooms, there's a girl in a well that speaks to the Bode, the youngest Locke sibling. Bode is the first to discover how a key can open the Ghost Door. When he passes through it, he leaves his body and moves in his spirit form.

We do learn that the girl in the well has a more significant role in the story than I initially thought. Sam thinks of the girl as his master. And somehow, she is still connected to Sam even though he's locked away, giving Sam tools that pave the way for his escape. Sam travels to Keyhouse as ordered by the girl. It's all gore and mayhem from here. Sam takes the Locke family hostage, and Bode finds the Anywhere Key and hands it to the girl.

Sam is eventually killed though, and the girl in the well escapes. By the end of the novel, we see the girl in the well morph into a man. Such a deliciously creepy end to the first series, don't you think? I'm so in!

Read this book if:

1. You're looking to read a different kind of horror.
2. You love graphic novels not involving superheroes.
3. You like dark and wonderfully weird story lines. 

P.S. The illustrations are striking. Gabriel Rodriguez's panels are just too gorgeous. A few below.

When you go through the Ghost Door, your spirit leaves your body.
Basically, your physical body becomes dead.

The girl in the well house

One of the first few full-page panels
Sam Lesser knocking on the door of Locke's house to murder him

A Hitchcock interlude

Last weekend was a long weekend (again!) here in the Philippines. And I'm feeling the burn of finishing the book of the month for the book club. To say that I'm not getting the book is an understatement.

So I decided to just spend the day downloading movies. The weather last weekend was a bit gloomy, so I thought—suspense, classic movies, Hitchcock! I did a quick Google search on the movies made by Hitchcock and decided to watch 3: Rear Window, Rope, and Strangers on a Train.

Was James Stewart one of Alfred Hitchcock's favorite actors? He seems to be in most of them, no? Anyway, I didn't like Rear Window that much. I felt that it wasn't suspenseful enough. Grace Kelly is probably the most gorgeous woman ever though.

Now Rope was the movie that satisfied my craving for suspense. The murder happened in the opening scene, so the movie focused on whether the two murderers would actually be caught. Such chutzpah these two men have! They even hid the body in a trunk and then invited people to a party!

I've read Patricia Highsmith's novel, Strangers on a Train, which the movie is based on. The book was more menacing though. But Highsmith's plot was just perfect for Hitchcock: 2 strangers meet on a train and decide to commit murders for one another. Goosebumps!

I'm still loving my Hitchcock phase. So I'll probably see The Birds, To Catch a Thief, and Dial M for Murder next.