Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Monday, June 25, 2018

All that BS over formal vs. informal writing (or why the eggplant emoji is my favorite emoji)

Last weekend, I moderated the discussion on Strunk & White's The Elements of Style for the book club. Much as I would have liked to focus on the nitty gritty of this very polarizing book, I chose to talk about the book's relevance. Do people still care about the subjunctive mood? Heck, do they even know what the subjunctive mood is? (I love the subjunctive. If it were possible to use it every time, I would have ran away with it. There's something about the subjunctive. It connotes missed probabilities and unfulfilled wishes and desires.) What about pronoun antecedents? And how do you manage those pesky sexist pronouns without being too wordy or cloying?

So anyway, there we were at the venue last Saturday afternoon when I head someone mention that some instances call for formal writing, and some for informal writing. Ooookaayyy. I think this is, ummm, BS. (Of course, I didn't say that upfront. I was raised right. I'll just write about it behind her back.) Why do you even have to differentiate between these two? Why can't we just pay attention to how effective our writing is, instead of being conscious whether to go formal or informal? Consider:
(1)
Dear Andrei Nikolayevich,
Please be informed that the meeting scheduled today has been postponed to Friday, 29 June. Please be guided accordingly.
(2)
Dear Gaius Julius Hyginus,
Today's meeting is postponed to Friday, 29 June.
I'm guessing that many people would say that the first example is formal in tone, and the second isn't. Why? Who the hell knows. Perhaps it's the number of words, no? And there's the use of "please." Also, the second sentence bugs me. As if without it, people would be acting, like, without guidance or whatever. I'd go with the second example all the time. You don't even need to tell people that you're informing them. The idea of your sentence is the information itself. When they read it, they're informed. The first example is just dumb, and it perpetuates the idea that being wordy is completely fine.

I'm not saying that the first example is formal. I hate labels. I prefer to think of it as smart writing. It's the kind of writing that people feel comfortable using. One tip I give to people when they're writing to someone is to imagine themselves right in front of the person they're writing to. So it doesn't make sense to say, "Hello, Heraclitus. This is to acknowledge receipt of your invoice sent via email last Thursday." You don't say that in real life, yes? (If you do, I'll poke your eyes out or scoop them with a spoon.) Just go with, "Hello, Babichenkovich. I received your invoice last Thursday." Acknowledge. Receipt. Nauseated.

Anyway, The Elements of Style. I love that book. That book has guided me when I was starting out with my career as an editor. I didn't know anything back then. (I'm a science major; I thought genitives had something to do with penises and vaginas.) I love how the rules are in black and white. There aren't even any explanations for some of them. Interestingly, this was one of the points raised during the discussion—how the authors didn't include any reason for coming up with these rules. But to include those additional sections would just fatten up TEoS. Its pocket size is one of the things that people love about it.

A good friend mentioned that we can group people based on the way we communicate. I forget the exact five groups, but it has something to do with those who are direct, those who put emotion in their writing, and those in-between. He said that I'd probably be in the first group. You think? I can recall the countless times I just replied to an email with "noted" or "gotcha" or "thanks." (You didn't really think I'd reply with, "Thank you for your email. This has been duly noted"? I'd prefer to eat my own barf.) Thank goodness for emojis. Now I can be really extra cheerful and positive and bright and sunshiny by putting a smiley face after "noted." And if I wanna throw people off, I'd use the eggplant emoji. Because nothing confuses people more than being reminded of a schlong. They might probably think, "Does he have a big penis? Is he thinking of penetration?" Newp. I just wanna make a ratatouille.

The best piece of advice from Strunk & White
Because being wordy is evil.

Sunday, March 30, 2014

The book club discusses the screenplay of a classic Filipino movie

The requisite close-up photo with the book
No stranger to reading screenplays, I am.
Sometimes, the book club pushes itself outward and talks about material that we wouldn't normally read ourselves. That's what happened this weekend, when we met one afternoon to talk about a screenplay of a much-beloved Filipino classic—"Himala." So I'm sharing with you pictures of the event, dear reader. I'll reserve my thoughts on the screenplay for another post. Anyway, you can click on the pictures to enlarge.

Of course, one does not simply organize a discussion by just coming up with the discussion questions. This month's facilitator, Orly, made sure that he kept up with the book club tradition of giving away bookmarks and other related items. For "Himala," we each received these wonderful bookmarks and the anahaw fans with the words "Elsa saves" and "Elsa loves you" printed on them. These phrases are the arc words of the screenplay.

I am an Elsa fan.
The fan can be quite useful, especially now that it's officially summer.
The books, the DVD of the restored version, and other stuff
Always a good conversation starter
Orly did a wonderful job facilitating the discussion. He even invited Gilbert, one of his friends who was involved in the creation of the coffeetable book Sa Puso ng Himala. That particular book had the screenplay we're going to discuss, plus a lot of behind-the-scenes stuff about the production of the movie. The BTS stuff had very juicy bits about the crew and the talent. Very gossipy and quite fun to read!

Before we delved into the discussion proper, Orly showed us a few slides about the screenplay. He talked about the screenwriter Ricky Lee, the history of the film's production, the movie's very important place in Philippine cinema, and even the personalities involved in the movie. It was a very informative and engaging presentation. Lots of questions thrown around by the members even if we haven't officially begun discussing the screenplay.

We were actually given 2 books to choose from for this discussion—Sa Puso ng Himala and Si Tatang at ang Himala ng Ating Panahon. Both contain the screenplay, but the former focuses more on the movie, while the latter is a collection of the screenwriter's works. I bought both books though, as I couldn't help myself. But for the discussion, I decided to go with Sa Puso ng Himala. I figured I wanted to know more about the movie rather than the writer.

Orly (in white) and Gilbert (in yellow)
As expected, with Orly as the facilitator, the discussion was livelier than usual.
One of Orly's pre-discussion slides
This one shows the screenwriter, Ricky Lee. 
The rare movie postcards given away as prizes.
I won one of them! The one with Elsa, the lead actress. 
Now we're on to the discussion proper. Of course, the usual questions were thrown to the group. Which themes in the screenplay struck you the most? Who were the characters that created a strong impact in you? How was the experience reading a screenplay? How is it different from reading a play or watching the movie? From a scale of 1 to 5, how would you rate the screenplay? It all feels very structured at first.

But you know what? From the discussions we've recently had, the moderator just poses a few standard questions, and then the discussion takes off from there. So really, the moderator simply steps back and just makes sure that everyone is given the chance to participate. In the end, we usually end up answering one another's questions. The members are a talkative bunch, and a good number of us can be quite opinionated.

My good friend Orly
He's the perfect guy to facilitate this screenplay discussion.
A few members share their ideas about the screenplay
Here we have Doc Cecille, Gege, Jeeves, and Czar. 
Lots of lighthearted moments during the discussion
Here's R. doing a goofy face. To his right is Sana. 
When asked for my favorite characters, I chose the 3 principal women:
Elsa (seated), Nimia (the one to her right), and Chayong (above Elsa).
Anne and Honey
Some of the questions were deeply profound. We had to pause and think. 
Ms. Raquel Villavicencio, the movie's production designer, joined us!
She shared lots of insights about the movie's production.
We were given copies of the original and final drafts of Elsa's speech.
Truly, writing a screenplay requires several drafts.
Busted! My good friend Marie.
Finishing the last 2 pages of the screenplay during the discussion
Oh, and it wasn't just a discussion. Orly facilitated a screenplay writing workshop by the end of the afternoon. Actually, it's in preparation for the group's Christmas party this year. I know, I know, it's still March, but we do have something big planned for this year. The theme for this year's Christmas party is the movies! For that project, members were sorted into teams and each team was tasked to make a 15-minute movie following a specific genre.

Anyway, for the screenplay writing workshop, Orly listed the deleted scenes from the movie. Then each group was assigned one of these scenes. The groups were then tasked to write the screenplay (with the speaking parts, the blocking, the description of the setting, etc.) for that particular scene. To think that some of us have no experience with moviemaking, much less with writing a screenplay, I think the final outputs were awesome.

The members listening to Orly explain the screenplay writing workshop.
We take things way too seriously, which is a good thing. 
Gege, Sana, and Iya
The ladies discussing the deleted opening scene of "Himala." 
Joko, R., and Jewel
I was aiming for a candid shot actually.
Jeeves and Mike
They're just 2 of the members of the all-male team.
Standing: Czar, Don, and Orly; seated: Doc Cecille, Jan, Anne, and Honey
The fabulous ladies are doing their own version of brainstorming.
And during the discussion, Marie gave me the hat I asked her to make.
My birthday's St. Patrick's Day! I love this supersized leprechaun hat!
It was truly a wonderful way to spend a weekend afternoon. It feels like I haven't seen my friends from the book club forever, even though we do make it a point to meet at least once a month. Till next time, fellow bibliophiles. And to you, dear reader, isn't it time you join a book club?